Atrangi Re is being released in Hindi and Tamil as well and the album has some decent numbers with this number is sung by Shreya Goshal being the biggest hit of the lot. The track is not just a few melodious lines, with even the stanza composed with some distinct variations and linesĪR Rahman keeps himself busy with some musical projects on and off and this Bollywood director is a loyalist who always employs the Mozart of Madras for his musical scores. He also plays the violin solo and Shadab Rayeen of Bollywood fame has mixed and mastered the track. Manikandan is spot on the bass guitars and all other stringed instruments which come into play especially the second interlude for some wonderful notes is played by Amal Raj. There is a hint of the influence of Desh Raag and it is Sathya himself who plays the Piano and Rhodes. The use of the Tabla alongside the Keys works best for me. Uma Devi has penned the lyrics glorifying the mother-child relationship. He himself has sung this one and I am pleasantly surprised by how lovely he sounds in this track. In my honest opinion, this is a lesson to Bollywood musicians who want to remix a song, they could do themselves a favor by understanding how an original can be re-created with amazing flavors and styles.Ĭ Sathya is quickly emerging to become a composer to stand up and notice as it is like a brand name I certainly trust to produce some excellent music. Listening to Sajna deliver this, fills my heart with joy, as there is also a wonderful element of female harmonies as we approach the end of the track. The actors in the video are Devaki Rajendran and Thasveer Muhammed. The track is also produced by Sajna Sudheer and Jose George with Thanuj being the man behind the concept and direction. Sumesh Parameshwar has produced and plays the guitars and bass and it is just good enough to cause a rush of blood to the head hearing the strumming especially the basslines. This is what I always claim, that if there is one way we all need to protect our age-old arts, it has to be presented in a more enjoyable and consumable format for the current generation. The Jazz flavor with some Middle Eastern percussions is where Sajna showcases her abilities and it sounds like a brilliant recipe in unison. The song is set in Raag Dharmavathi and reminds us of another super Tamil composition “Ododi Vandhen Kanna”. Sajna Vinish did impress me a year or so go worth a fabulous Malayalam number for Onam, and this time she picks up a famous Carnatic Composition by ‘Isai Arasu’ Shri Dandapani Desikar and refurbishes it into something glorious.
MANAM TAMIL MELODY SONG PLUS
She is a wonderful artist, with a terrific voice and impressive composition skills, plus she’s a Music teacher at a well-known university. If the article here infringes on any copyrights that you hold, please email to and Kanni The list is decided by the author (MJ Raghavan) himself. The author (MJ Raghavan) claims that this songs / album evaluation is his/her own. Disclaimer: isn't responsible for the views expressed by the author (MJ Raghavan) in this article.
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